Showing posts with label bridal couture. Show all posts
Showing posts with label bridal couture. Show all posts

THE BOMBSHELL BRIDE: GOING FOR A SEXY LOOK ON YOUR WEDDING DAY

    CREDITS

    Photography by S1 Studio
    Headpieces and gowns: Amy-Jo Tatum Bridal Couture
    Make-up Artist: Nida Nafees 
    Hair: Dana Faulkner
    Models: Shauna Yonan
    Corinne Doherty
    Olay! A mantilla paired up with a lace dress to match can say old world traditional and sexy all at once.

    Vintage 40s

    The Vintage Chic Bombshell-Above:A strapless silk dupion and chiffon gown topped off with a Venise-lace trimmed pancake hat circa 1940s with cage veil.

    Below: A Chanel neck treatment of multiple strands of pearls gives this Silk dupioni dress a real 1940s look. Added touches: the point d'espirit and hand rolled silk rose headpiece.




    Another vintage classic, the silk taffeta sheath above is accented with silk flowers, dappled petals on the train and a Chantilly lace bodice.

    THE BLUE BALL GOWN
    What could go more bridal than a classic ballgown silhouette? Layers of white cotton tulle skirt over yards of crinoline beneath. Chantilly lace bodiice backed with pastel blue satin makes the floral motifs on this bodice really pop . . .

    Classic and modern: A traditional silk and lace sheath with a sleek and contemporary down do. Why go for a veil when your hair could be your crowning glory . . . ?


    Boho's back.  The floral head wreath, lace and tulle conjure that waif look reminiscent of A Mid-Summer Night's Dream, fairy tales, and wood nymphs . . .

    Be a 1950s bombshell in this organza and lace hourglass with a halter and generous splash of petticoat
    Why not add some edge to your bridal look with a Chantilly lace jabot and jaunty gaucho hat? Black and white polka dots really cinch the look . . . .
    the subject was roses
    The right accessories always offer the perfect finish.  Glam girls love the sparkle of silver and gold right down to the toes . . . .Source URL: http://weddingspace.blogspot.com/search/label/bridal%20couture
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WHAT'S NEW IN THE GOWN GALLERY?



    photo courtesy of Movie Diva
    Meet LYDIA. Actually, those following this blog have seen the LYDIA gown in the recent Hair Art and Smalll Veils for Fashionistas posts last month. Now it's time to meet LYDIA up close and personal.
    For me, embossed chiffon is one of the most luxurious fabrics for its draping and floating capabilities. Here I've lined it in silk crepe to make it move like it's part of the bride's skin. The back drape is made out of silk gauze, a fabric so light, (even lighter than chiffon) it practically floats. Dappled here and there on the drape are small silk flowers.

    Where I got inspiration for this one is a no-brainer. 1930s Hollywood is my biggest muse and will continue to amuse me as long as they keep all those old movies restored.

    Embossed chiffon


    You can see more of Lydia and all the new 2008-2009 collection by checking out my website, Amy-Jo Tatum Bridal Couture (But most of the gallery is under construction, sorry for the mess)


    Make-Up by Rob Ward

    Source URL: http://weddingspace.blogspot.com/search/label/bridal%20couture
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WHAT'S NEW IN THE GOWN GALLERY?


    EVA. The most versatile gown in my collection, I think. We amped up the glamour factor for Sarah here by adding the birdcage veil and opera gloves.
    These photos are the work of Berkeley photographer, Bill Smoot. I knew if he ever photographed my collection, each piece would have that editorial/fine art feel to it. Bill is actually a fine art as well as wedding photographer. As a result, his photographs seem more like moments in time rather than the proverbial posed portraits you find in so many wedding albums. More can be seen on his site www.smootphoto.com
    Gown and accessories: Amy-Jo Tatum
    Model: Sarah Ashton

    Source URL: http://weddingspace.blogspot.com/search/label/bridal%20couture
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MORE ABOUT CUSTOM DESIGN



    There are FAQs I get all the time. My email box is proof the two most frequently asked are: 1.) How long does it take to create a custom designed gown? and 2.) How much does it cost?
    OH HOW LONG OH LONG MUST I WAIT?
    We designers put in oodles of hours and a high level of craftsmanship when it comes to creating one-of-a-kind gowns. Working with fragile, white fabric and delicate laces is an art form. Add to that keeping those fragile laces intact and white gowns looking fresh through fittings. Figure a gown hand-crafted by a designer usually takes 4-6 months to complete from a listing of your measurements. The greatest thing about custom design is that you'll have more of a one-on-one collaboration with the designer and input on any choices of fabric, silhouette and overall style.
    WILL MY CUSTOM DESIGNED GOWN COST ME THE DOWN PAYMENT ON A HOUSE?
    Chances are, no, unless you order Lady Di's silk taffeta gown with the 25 foot train and layers of uber-pouf. Most custom designs run neck and neck with the prices you'll find in better salons. Custom designers usually work all the materials and labor into the price of the garment. Prices can range from, $1000.00 for something simple and unadorned up to $10,000.00 for the works: full trains, petticoats, underskirts, bustles, intricate beading, etc. Medium price range for a custom wedding gown as of this writing writing would be around $2500.00-5000.00.


    Overall, brides are happy with custom design because of the leeway it offers. Where and in whose bridal collection can you find cotton wedding dresses these days? Or suits? Or two-piece dresses? Or convertable gowns? Custom design is optimal for the bride who wants some individual touch not offered in salons or boutiques.
    THE PROCESS
    The designer/client relationship is one that's very special so enter with care. Just like any relationship you must be in simpatico. In simpatico first with the design vision and then with your working relationship. You can help by bringing photos, magazine clippings, sketches or swatches of fabric to the initial consultation. All your ideas are discussed with the designer running a few ideas back to you. Choices and cost of materials, fabrics and a few other details are usually explored. If the designer has a small sample collection, this is usually when you can begin trying gowns on to see what the fabrics are going to look and feel like with you in them. This is the time too to look over how well the samples are made. Don’t worry about whether or not you know haute couture techniques here—just pull up a hem or look at the inside of one of the garments and you’ll know if its cleanly made and as beautiful on the inside as out.

    THE MUSLIN
    Eventually, a gown is in the making. After a final sketch is approved, a written estimate follows, complete with fabric swatches and your measurements are finally taken. For every gown order, a paper pattern is made. Think of the paper pattern as a blueprint, a record with all your dimensions on it. From this, most designers (some dressmakers too) work out a muslin. A muslin is an actual cotton mock-up and ‘living pattern’ of the gown design, fitted exactly to your body. Now, think of the muslin as the foundation work—laying all the necessary groundwork upon which your dress will be built. This is where most of the fine-tuning is done to get the perfect fit before one cut or stitch goes into the true gown fabric(s).
    After your muslin fittings (there may be two of them), the muslin is unstitched and laid out on the actual fabric and the gown is made up. Since most of the fitting is worked out on the muslin, second and third fittings usually follow up with finishing touches on the gown like, final hemline, closures, remaining design details, etc. Be prepared for more than three fittings though. A gown made from the ground up is a work in progress and each step along the way is painstakingly taken, checked and rechecked. Keep in mind you want your gown delivered at least a month before your wedding. Yes. You need to synchronize your calendars on this one. You want to be able to relax and deal with all those other last minute details involved in your wedding, not still fussing around over hemlines.
    If you want to view some awesome samples of custom design, visit my new pages at http://amyjotatum.googlepages.com

    Source URL: http://weddingspace.blogspot.com/search/label/bridal%20couture
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WHAT'S NEW IN THE GOWN GALLERY?
























    Imagine the formality of an elegant silhouette with all the ease of informal cotton. Here's my 'Daisy' dress in a pure white eyelet. I love this fabric. Every bride who has tried it on says its so comfortable. Audrey Hepburn as Sabrina was my original inspiration for this design. The bateau neckline pictured above was actually renamed after this character from the mid-1950s movie. The rest of the dress is a classic A-line with a to-the-floor skirt held out by layers of petticoat. I topped it off with one of my shorter veils reminiscent of 50s-60s brides.
    Source URL: http://weddingspace.blogspot.com/search/label/bridal%20couture
    Visit Wedding Space for Daily Updated Hairstyles Collection

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